For many, the name Janet Guthrie won’t ring a bell. It didn’t for me which added to the mystery of this 30 for 30 installment. This is one of the very few instances where I went in totally fresh, as in I didn’t watch the trailer, the name didn’t ring a bell, and I didn’t see any commercials, posters, or press materials. Given Guthrie’s career was short and ended nearly 40 years ago, I suspect her story will be new to many viewers like it was to me.
Qualified chronicles Guthrie’s brief, but distinguished racing career, and centers around her efforts to qualify and finish the Indy 500. The film is greatly aided by — and leans considerably on — utilizing Guthrie to tell her own story, which she does in a very measured and stoic manner. What really makes Qualified pop is the extensive amount of vivid racetrack footage that gives the film a pretty immersive feel. For sports doc aficionados, this closely mirrors the excellence of Senna, which also is jam-packed with footage (which once again makes me wonder how and why such a stirring amount of footage was taken at the time). Both films are like a carton of cookie dough cream, in which you open it up and are delighted to find damn near two thirds of the container is cookie dough.
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